Saturday, December 15, 2012
Stonehenge and the Aryan Thunder God
" For part of its existence as an ancient temple, Stonehenge doubled as a substantial prehistoric art gallery, according to new evidence revealed yesterday. A detailed laser-scan survey of the entire monument has discovered 72 previously unknown Early Bronze Age carvings chipped into five of the giant stones. All of the newly discovered prehistoric art works are invisible to the naked eye – and have only come to light following a laser-scan survey which recorded literally billions of points micro-topographically on the surfaces of the monument’s 83 surviving stones. In total, some 850 gigabytes of information was collected. Detailed analysis of that data – carried out on behalf of English Heritage - found that images had been engraved on the stones, normally by removing the top 1-3 millimetres of weathered (darker coloured) rock, to produce different sized shapes. Of the 72 newly discovered images revealed through the data analysis, 71 portray Bronze Age axe-heads and one portrays a Bronze Age dagger. Prior to the laser survey, 46 other carvings (also of axe-heads and daggers) were known or suspected at Stonehenge – mostly identified visually back in the 1950s. The laser-scan survey has now confirmed the existence of those other images and provided more details about them. The 72 new ‘rock art’ discoveries almost treble the number of carvings known at Stonehenge – and the monument’s largely invisible art gallery now constitutes the largest single collection of prehistoric rock carvings in southern Britain. Although now largely invisible to the naked eye, back in the Early Bronze Age the images, composed of then-unweathered (and therefore lighter coloured) stone would have been clearly visible. In Indo-European tradition axe-heads were often associated with storm deities – and some surviving European folklore beliefs suggest that upwards-facing axe blades were used as magical talismans to protect crops, people and property against lightning and storm damage. It’s potentially significant that every single one of the Stonehenge axe-head images have their blades pointing skywards, while the daggers point downwards. The axe-heads – the vast majority of the images – may therefore have been engraved as votive offerings to placate a storm deity and thus protect crops."